![]() Quote out manual: Focal length and focusing distance If it works i don’t know maybe artifacts are start to show or brighting wall gets wrong colorasation. You could try to use again a controlpoint and sharpen it a bit.for micro details like cracks in the paint and relief. contrast enhancement by tonal range.Īt last, greenisch door: rest of the green flower leafs is far more saturated and i like the effect of 3D it gives. Wall, controlpoint, brighten a bit., the pastel colors are more showing then. Only thing i could think of is mask black-isch doormat and surrounding pebbles to enhance contrast a bit, clearview? just make the doormat more black. i think it look natural to me, aldoh the magenta flower and red ones looked a bit unnatural, overcolored. Looking at the copper handle and lockframe and magenta flowers you did some vibrance and saturation. The colors of the frame and artifacs (things on the frame) and the door itself are quite pastel looking. And don’t have to fiddle to much any more.Ībout the image: how does it look default? I am not experienced with DCP profiles (don’t know exactly what it does.) but would you benefit from those camera color profiles? Maybe you get the punch you need from that. ![]() It seems to suffer from being a bit flat and that is something I continually have problems with in PL! Is it just me or is v1.2 to v2.0 not a big change? Let the tools working together to maximise the image. If i may suggest your next chapter can be step by step working from default to export jpeg wile dealing with difficulties with example images. One final step has to be intgrated in this matter, exporting to NIKcollections tools using there automated presets to enhance one step further. It starts to grow on me, those local things, lot of manual fiddleing still, no filters or presets yet. finaly the worst spots with masking or controlpoints.Ĭleaning up and restoring “punch/ color feel” use global vibrance and or controlpoints color control. global by dodging and burning kind of way (SL) some manual override in selective tone and contrast. I am starting to get the hang of it using mask or gradientfilter or controlpoint. local corrections masking and controlpoints.I am training myself at this moment in lightning/contrast/tonecorrection using the 3 major tools in this order: I will dig through it again to refresh my memory. (some times a gradient filter is a better start to get rid of highlight trouble then fiddling with smartlighting and the highlight sliders not to mention the brush mask, upoint.) Lots of ways to get the same result sort of. Sometimes the best way is just around the corner but it has to be shown by someone before you see it. The DxO PL suite plus Nik can be overwelming in its possible approaches. I start to wonder around in other toolsset when i can’t get my wanted image and be hours lost in learning if a tool can help to get what i need.įilmpack, NIKcollection, color rendering, local adjustments a lot is overlapping in its adjustment possibilities. What i mean is i approach a image mostly the same way out of convience or just plain this is what i know to use. Global and local sharpening control (Upoint can be used for sharpening) Tonecurve control vs sliders in the tools.(microcontrast and fine contrast.) effect on different images. ![]() clearview and manual contrast control. ![]() Like the difference between smartlighting and gradientfilter and upoint approach.Things you needed more then one attempt to get satisfied. Got me thinking, maybe we can start up a “how i do it” thread for difficult tasks. Great effort and interesting reading material.
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